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You meet a lot more people on all sides of production, and you learn the etiquette of what goes on in a room. Here’s what they had to say: If you had a choice, would you take a SA position or a WA?Īmazon SA: As an SA, you get this huge, macro view of how a television show is put together.

Advice from an Amazon Showrunner’s Assistant and a Network Writer’s PAĪ couple days later, I sat down with a SA on an Amazon show, and a Writer’s PA on a network show. So I started reaching out to my network, to get feedback on my questions. But if eight years of reading, listening, and watching material about self-development taught me anything, it’s that: you gotta know when to ask for help. There was a time that once I made up my mind, I’d leave it at that.

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Plus in my case, I was working on my boss’s book business as well.

You could still absorb what was happening (creatively) in the room.

You’d get a better macro sense of the world of television production.

The more I thought my career as a writer and its trajectory as a whole though, I started to believe the counter-intuitive choice was the better one: a SA.

“You don’t have to answer phones all freaking day!”.

I think most writers are naturally inclined to the WA position, for obvious reasons: Which was better suited for the skill sets I had, and for the trajectory of my career? Which led me to wonder: what’s the better position? Showrunner’s Assistant or Writer’s Assistant? “Okay.” He said if a television show gets greenlit, we’d transition into a Showrunner’s Assistant (SA) or a Writer’s Assistant (WA).

Last updated on November 3rd, 2021 at 07:43 amĭuring one of my first sit-downs with Dennis, we discussed potentially what my career trajectory would look like, and how this job role would change depending on: